Testimonials
Testimonial / Katharine MacDaid
I am showing some work from my project in Northern Ireland for the first time as part of a group show in Oslo (Prisms of Myopia). Seeing the drum scans for the first time on my screen was fantastic, this was before I had even made the final prints. The depth, clarity... read more
Testimonial / Kayhan Jafar-Shaghaghi
Tim and Charlotte provide drum scanning services for my work, bringing a level of care and artistry that is rare in the field. I work exclusively with 8×10 film, not as a perfectionist photographer but as an artist, embracing the nuances of exposure to achieve a... read more
Testimonial / James Smith
There is something very comforting knowing that one’s 5×4 colour negs are digitised to their absolute full potential, (whether that full potential sees the light of day is another story!) but this process from Film to 16 BIT should be taken as seriously as... read more
Testimonial / Tony Gaskins
Professional Drum Scanning did an excellent job scanning my 5×4 transparencies. The returned digital files are top quality, with accurate colours, properly exposed and superbly sharpened that will give me options for significant enlargements of the files if... read more
Testimonial / Paul Francis Bryan
I’ve recently begun archiving negatives from a whole host of years in photography when my most recent scanning service stopped trading. I’d been searching for a replacement drum scanning service for the past year when I found these guys. During my research I came... read more
Testimonial / Professor Calum Colvin OBE RSA FRSE
My work is a combination of painting, sculpture and photography, a form of ‘constructed photography’: assembled tableaux of objects, which are then painted and photographed.
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Testimonial / Keiran Perry
It is an absolute pleasure working with Tim and Charlotte. They go far beyond a typical photographer-lab relationship, offering a breath of fresh air with their kindness, attention to detail, and personable nature. They devote the necessary time to ensure each project... read more
Testimonial / Philip Newsome
I have been photographing motorsport since the early 1980s primarily using 35mm slide film as well as 120 roll film using a rather cumbersome Pentax 67. When I decided to create a book of my photography it was inevitable that many of my images would come from this... read more
Testimonial / David Keyes
Just upstream from Stockghyll force near Ambleside are a series of falls, including this one. One rainy day I took a Linhof Technika with a Grandagon and some Portra 400 in a 6×9 roll film back, also brought along a Leica M240 with a Summilux. Getting the film... read more